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home·artworks·Mrs. Edward Hudson
Mrs. Edward Hudson by Thomas Sully

plate no. 4137

Mrs. Edward Hudson

Thomas Sully, 1814

oilRomanticismportraitportraitfiguredresslaceshawlhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering of fabric textures. It also provides practice in creating soft, diffused lighting effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of warm browns and reds, creating a soft, diffused effect.

  3. step 03

    Block in the main shapes of the figure, including the dress, shawl, and hair, using simplified color masses.

  4. step 04

    Begin refining the skin tones, using a limited palette of flesh tones and subtle blending techniques.

  5. step 05

    Add details to the dress and lace, focusing on capturing the delicate textures and patterns.

  6. step 06

    Paint the shawl, paying attention to the way the light interacts with the fabric and creates shadows.

  7. step 07

    Refine the hair, adding highlights and shadows to create volume and dimension.

  8. step 08

    Add final details and adjustments to the composition, ensuring that the overall effect is harmonious and balanced.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium red light

secondary · ivory black · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, and yellow ochre, adjusting the proportions to create subtle variations. Use raw umber and ivory black to create shadows and depth. Mix white with a touch of ultramarine for the dress highlights.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face
  • →Muddy skin tones due to over-blending
  • →Loss of detail in the lace and fabric
  • →Harsh or unnatural lighting effects

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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