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home·artworks·Mrs Dora Lamm and Her Two Eldest Sons
Mrs Dora Lamm and Her Two Eldest Sons by Carl Larsson

plate no. 8945

Mrs Dora Lamm and Her Two Eldest Sons

Carl Larsson, 1903

oilArt Nouveau (Modern)portraitportraitfiguresinteriorchildrenfurniturefloral
experienced study

Recreating this painting will help students develop skills in portraiture, capturing realistic skin tones, and rendering complex interior scenes with multiple light sources. It also provides practice in depicting fabric textures and intricate details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and furniture, paying attention to proportions and placement.

  2. step 02

    Establish the background colors, including the wall and the chest of drawers.

  3. step 03

    Block in the main colors of the figures: the red dress, white clothing, and skin tones.

  4. step 04

    Begin to develop the details of the faces, focusing on highlights and shadows to create form.

  5. step 05

    Work on the folds and textures of the clothing, using layering and blending techniques.

  6. step 06

    Add details to the furniture and background elements, such as the clock, flowers, and wall decorations.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a cohesive image.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · red · white · gold · blue

secondary · green · pink · brown · ivory

Achieve the red dress color by mixing a deep red with touches of brown and white for highlights. Skin tones can be created by blending white, yellow ochre, and a touch of red. Use varying amounts of white to create lighter and darker shades.

techniques

  • ·portraiture
  • ·figure drawing
  • ·color layering
  • ·blending
  • ·rendering fabrics

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and dimension.
  • →Not paying enough attention to the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints: red, white, yellow ochre, burnt umber, ultramarine blue
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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