apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mrs Barrett
Mrs Barrett by Walter Sickert

plate no. 4040

Mrs Barrett

Walter Sickert, 1908

oilImpressionismportraitportraitfigureinteriorpaintingclothingpearl necklace
some experience helpful

Recreating this painting will help students develop skills in capturing likeness through loose brushstrokes and understanding how to create depth using value and color temperature variations. It also encourages expressive mark-making to convey texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background elements.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or black.

  3. step 03

    Block in the mid-tones, focusing on the overall color temperature of each area.

  4. step 04

    Begin building up layers of color, using short, directional brushstrokes to define form.

  5. step 05

    Pay attention to the light and shadow on the face, using subtle color shifts to create depth.

  6. step 06

    Add details such as the pearl necklace and the red stripe on the clothing.

  7. step 07

    Refine the edges and add highlights to create a sense of realism.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · raw umber · ivory black · titanium white · Prussian blue

secondary · cadmium red light · yellow ochre · viridian

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use Prussian blue to cool down the grays and create shadows. Add small amounts of cadmium red light and yellow ochre to warm up certain areas.

techniques

  • ·broken color
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·color temperature

common pitfalls

  • →Overworking the details
  • →Ignoring the overall color harmony
  • →Failing to establish a strong value structure
  • →Not using enough variation in brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·#4 round brush
  • ·#8 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for a slightly textured surface. Consider using a toned canvas to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann