
plate no. 5012
Anders Zorn, 1897
This painting provides practice in capturing light and shadow on fabric and fur with visible brushstrokes. Students can also develop skills in portraiture and depicting textures.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, dog, and major shapes.
Establish the dark background using a mix of blues, browns, and blacks.
Block in the main areas of the dress with a light yellow ochre and white mixture, paying attention to the folds and highlights.
Start defining the features of the woman's face, using subtle variations in skin tone.
Paint the dog's fur with short, directional brushstrokes, using a mix of white, brown, and black.
Add details to the dress, including the floral patterns and shadows.
Refine the background and add any remaining details, such as the jewelry and chair.
Add final highlights and shadows to create depth and dimension.
color palette
primary · yellow ochre · titanium white · burnt umber
secondary · alizarin crimson · ultramarine blue · cadmium yellow
Achieve the dress color by mixing yellow ochre with white and a touch of cadmium yellow. Use burnt umber and ultramarine blue for the dark background. Mix alizarin crimson with white for the skin tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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