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home·artworks·Mrs Bacon
Mrs Bacon by Anders Zorn

plate no. 5012

Mrs Bacon

Anders Zorn, 1897

oil, canvasArt Nouveau (Modern)portraitportraitwomandogdresschairflowers
some experience helpful

This painting provides practice in capturing light and shadow on fabric and fur with visible brushstrokes. Students can also develop skills in portraiture and depicting textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, dog, and major shapes.

  2. step 02

    Establish the dark background using a mix of blues, browns, and blacks.

  3. step 03

    Block in the main areas of the dress with a light yellow ochre and white mixture, paying attention to the folds and highlights.

  4. step 04

    Start defining the features of the woman's face, using subtle variations in skin tone.

  5. step 05

    Paint the dog's fur with short, directional brushstrokes, using a mix of white, brown, and black.

  6. step 06

    Add details to the dress, including the floral patterns and shadows.

  7. step 07

    Refine the background and add any remaining details, such as the jewelry and chair.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · titanium white · burnt umber

secondary · alizarin crimson · ultramarine blue · cadmium yellow

Achieve the dress color by mixing yellow ochre with white and a touch of cadmium yellow. Use burnt umber and ultramarine blue for the dark background. Mix alizarin crimson with white for the skin tones.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·impasto

common pitfalls

  • →Overblending, which can flatten the image.
  • →Getting the proportions of the figure and dog wrong.
  • →Using too much detail too early in the process.
  • →Ignoring the subtle color variations in the dress and fur.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: yellow ochre, titanium white, burnt umber, ultramarine blue, alizarin crimson, cadmium yellow
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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