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home·artworks·Mrs. Andrew Sigourney
Mrs. Andrew Sigourney by Gilbert Stuart

plate no. 9285

Mrs. Andrew Sigourney

Gilbert Stuart, 1820

oilRomanticismportraitportraitfigureclothingheadwearjewelrychair
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering fabric and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and chair.

  2. step 02

    Establish the background with a thin wash of muted brown tones.

  3. step 03

    Block in the main areas of color: the skin tones, the black dress, the red shawl, and the white headwear and ruff.

  4. step 04

    Begin refining the skin tones, paying close attention to subtle variations in color and value to create form.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  6. step 06

    Develop the details of the clothing, including the folds and textures of the dress, shawl, headwear, and ruff.

  7. step 07

    Refine the background and add any final details, such as the jewelry and the chair.

  8. step 08

    Add highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · burnt umber · raw sienna · alizarin crimson

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. Use burnt umber and ivory black for the dark background, and mix alizarin crimson with cadmium red light for the shawl.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·layering
  • ·glazing

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or flat skin tones.
  • →Lack of attention to detail in the clothing and accessories.
  • →Ignoring subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20)
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·alizarin crimson oil paint

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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