
plate no. 9285
Gilbert Stuart, 1820
Recreating this portrait will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering fabric and textures.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and chair.
Establish the background with a thin wash of muted brown tones.
Block in the main areas of color: the skin tones, the black dress, the red shawl, and the white headwear and ruff.
Begin refining the skin tones, paying close attention to subtle variations in color and value to create form.
Add details to the face, including the eyes, nose, and mouth, focusing on capturing the likeness of the subject.
Develop the details of the clothing, including the folds and textures of the dress, shawl, headwear, and ruff.
Refine the background and add any final details, such as the jewelry and the chair.
Add highlights and shadows to create depth and dimension.
color palette
primary · titanium white · ivory black · cadmium red light · yellow ochre
secondary · burnt umber · raw sienna · alizarin crimson
Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. Use burnt umber and ivory black for the dark background, and mix alizarin crimson with cadmium red light for the shawl.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.
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