apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mrs Alice Wood
Mrs Alice Wood by Thomas Lawrence

plate no. 9582

Mrs Alice Wood

Thomas Lawrence, 1830

oilRomanticismportraitportraitfiguredresscurtainjewelrybook
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabrics with subtle highlights and shadows. It also provides practice in creating realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with broad strokes of color, focusing on the overall tone.

  3. step 03

    Establish the basic shapes and values of the dress, paying attention to the folds and drapery.

  4. step 04

    Start building up the skin tones, using thin layers of paint and subtle blending.

  5. step 05

    Refine the facial features, focusing on capturing the likeness and expression.

  6. step 06

    Add details such as the jewelry, book, and hair, using smaller brushes.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form and create a polished look.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · emerald green · ivory black

Achieve skin tones by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and white to create the cool tones in the shadows. Mix emerald green and ivory black for the book.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·scumbling

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the correct proportions of the figure.
  • →Ignoring the subtle variations in color and value within the dress.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·soft cloth

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke