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home·artworks·Mountains and Lake
Mountains and Lake by Lawren Harris

plate no. 7056

Mountains and Lake

Lawren Harris, 1929

oilArt Nouveau (Modern)landscapemountainslakelandscapeskyreflection
some experience helpful

Recreating this painting will help students understand color mixing for atmospheric perspective and practice simplified geometric shapes to represent complex forms. It also offers practice in creating smooth gradients and reflections.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and lake, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with a light gray-blue, creating a smooth gradient from top to bottom.

  3. step 03

    Paint the distant mountains with a darker blue, blending the edges to create a soft, hazy effect.

  4. step 04

    Fill in the foreground mountains with a very dark, almost black, color.

  5. step 05

    Add the white mountain, carefully painting the horizontal lines and vertical details.

  6. step 06

    Paint the lake with a green hue, reflecting the colors of the sky and mountains.

  7. step 07

    Add the reflection of the white mountain, making it slightly darker and less defined than the original.

  8. step 08

    Refine the details and edges of the mountains and lake, creating a sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · black

secondary · viridian green · gray

Mix different proportions of blue and black to achieve the various shades of the mountains. Use white to lighten the blues and create the sky. Mix blue and green to create the lake color.

techniques

  • ·color blending
  • ·atmospheric perspective
  • ·geometric simplification
  • ·creating reflections

common pitfalls

  • →Overworking the details and losing the simplified shapes.
  • →Making the reflections too bright or defined.
  • →Not creating enough contrast between the foreground and background mountains.
  • →Using too much detail in the mountains

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·black oil paint
  • ·viridian green oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a smooth canvas to achieve the desired blending effect. Consider using a medium to thin the paint and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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