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home·artworks·Mountains and Desert
Mountains and Desert by Maurice Braun

plate no. 2489

Mountains and Desert

Maurice Braun, 1930

oilImpressionismlandscapemountainsdeserttreesskycloudslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as practicing broken color techniques to represent textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, trees, and foreground, paying attention to the overall composition.

  2. step 02

    Establish the sky with a light blue wash, adding soft pinks and whites for the clouds.

  3. step 03

    Block in the distant mountains with muted blues and purples, gradually lightening and warming the colors as they come forward.

  4. step 04

    Paint the larger mountain masses with earth tones, using broken color to suggest texture and form.

  5. step 05

    Add the trees in the midground, using a mix of greens, grays, and whites to create a silvery effect.

  6. step 06

    Develop the foreground with warm browns, ochres, and touches of green, adding details like rocks and grasses.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and texture of the landscape.

color palette

primary · burnt sienna · ultramarine blue · titanium white · yellow ochre

secondary · sap green · cadmium yellow · alizarin crimson

Mix muted blues and purples for the distant mountains by combining ultramarine blue with burnt sienna and a touch of white. Achieve the silvery-green of the trees by mixing sap green with white and a touch of ultramarine blue.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountains.
  • →Creating too much contrast in the foreground.
  • →Using colors that are too saturated.
  • →Failing to establish a clear sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#6 round brush
  • ·#4 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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