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home·artworks·Mountains and a Waterfall
Mountains and a Waterfall by Marcus Larson

plate no. 7154

Mountains and a Waterfall

Marcus Larson, 1851

oilRomanticismlandscapemountainswaterfalltreesrockslandscapesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures of rocks and foliage. It also provides practice in creating a sense of depth and light in a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, waterfall, and trees.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, starting with the sky and distant mountains.

  4. step 04

    Begin adding details to the rocks and waterfall, using a variety of brushstrokes to create texture.

  5. step 05

    Paint the trees in the foreground, paying attention to their unique shapes and branching patterns.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and adjust the colors as needed.

  8. step 08

    Add final touches, such as small details in the foreground and subtle variations in the sky.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · ultramarine blue · cadmium red · sap green

Mix white with small amounts of yellow ochre and burnt umber to create the sky and distant mountains. Use burnt umber and ultramarine blue for the darker rocks. Mix cadmium red with burnt umber for the reddish trees.

techniques

  • ·atmospheric perspective
  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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