apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mountain near Lochmore
Mountain near Lochmore by Winston Churchill

plate no. 9543

Mountain near Lochmore

Winston Churchill

oilImpressionismlandscapemountainslakeskycloudslandscapewaterfall
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and form, as well as using visible brushstrokes to add texture and visual interest to the landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, lake, and sky, paying attention to the overall composition.

  2. step 02

    Block in the main colors of the sky, mountains, and water with thin washes.

  3. step 03

    Begin layering colors on the mountains to define their form and create shadows and highlights.

  4. step 04

    Add details to the waterfall, using thin lines of white and gray.

  5. step 05

    Work on the foreground, adding details to the land and water.

  6. step 06

    Refine the clouds in the sky, adding subtle variations in color and tone.

  7. step 07

    Add final details and highlights to the entire painting.

  8. step 08

    Step back and adjust as needed to achieve a cohesive and balanced composition.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · titanium white · raw umber · cadmium yellow

Mix yellow ochre and burnt sienna for the mountain highlights; ultramarine blue and white for the sky; and burnt sienna and ultramarine blue for shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·blending
  • ·alla prima

common pitfalls

  • →Overblending colors, resulting in a muddy appearance.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the sky and mountains.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann