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home·artworks·Mountain landscape (Carnic Alps)
Mountain landscape (Carnic Alps) by Albert Zimmermann

plate no. 1340

Mountain landscape (Carnic Alps)

Albert Zimmermann

oilRomanticismlandscapemountainsskyrockstreeslandscapehills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and realism in a landscape. It also provides practice in rendering textures of rocks and foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, rocks, and horizon line.

  2. step 02

    Establish the sky with a light blue wash, blending towards the horizon.

  3. step 03

    Block in the distant mountains with muted browns and blues, using lighter values for those further away.

  4. step 04

    Paint the mid-ground hills with a mix of browns, reds, and greens, adding subtle variations in color.

  5. step 05

    Define the foreground rocks with darker values and more detail, paying attention to their shapes and textures.

  6. step 06

    Add the tree, using short, broken brushstrokes to create the foliage.

  7. step 07

    Refine the details, such as highlights on the rocks and subtle variations in the sky.

  8. step 08

    Add final touches and adjust values as needed to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red · sap green

Mix blues and browns with white for the sky and distant mountains. Use varying amounts of red and yellow ochre with burnt umber to create earth tones. Mix sap green with yellow ochre for the foliage.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·dry brushing
  • ·layering
  • ·blending

common pitfalls

  • →Failing to create a sense of depth by not using atmospheric perspective.
  • →Using colors that are too saturated, resulting in an unrealistic landscape.
  • →Overworking the details, making the painting look stiff and unnatural.
  • →Not paying attention to the values, resulting in a flat and uninteresting composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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