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home·artworks·Mountain Lakes, Olden, Norwas
Mountain Lakes, Olden, Norwas by Willard Metcalf

plate no. 5567

Mountain Lakes, Olden, Norwas

Willard Metcalf, 1913

oilImpressionismlandscapemountainslaketreesriverlandscapevillage
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to represent light and atmosphere. It will also improve their understanding of landscape composition and creating depth.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, lake, river, and trees.

  2. step 02

    Block in the large areas of color, starting with the sky and mountains, then the water and land.

  3. step 03

    Begin adding details to the mountains, using short, broken brushstrokes to create texture.

  4. step 04

    Develop the trees and foliage with a variety of greens, using dabs and strokes of different sizes.

  5. step 05

    Paint the river, capturing the movement of the water with horizontal brushstrokes and highlights.

  6. step 06

    Add details to the village and other small elements.

  7. step 07

    Refine the colors and values throughout the painting, paying attention to the overall harmony.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · viridian green · ultramarine blue · titanium white · yellow ochre

secondary · cadmium red · burnt sienna · violet

Mix greens by combining blues and yellows, and use white to lighten values. Achieve the mountain's color by mixing blues, violets, and a touch of brown.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating too much detail in the distant mountains.
  • →Ignoring the importance of value contrast.
  • →Using brushstrokes that are too uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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