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home·artworks·Mountain in New Hampshire
Mountain in New Hampshire by O. Louis Guglielmi

plate no. 3438

Mountain in New Hampshire

O. Louis Guglielmi, 1932

oilMagic Realismlandscapemountainlandscapehousesskycloudstrees
some experience helpful

This painting offers practice in layering colors to create depth and atmosphere, as well as simplifying complex forms into basic shapes. Students can learn to create a sense of distance using color and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain, hills, and houses.

  2. step 02

    Block in the sky with light blue and beige tones.

  3. step 03

    Apply the darkest blues to the mountain's peak and shadows.

  4. step 04

    Layer greens and blues to define the rolling hills.

  5. step 05

    Add the basic shapes of the houses with white and red.

  6. step 06

    Paint the foreground foliage with varied greens and blues.

  7. step 07

    Refine the details of the houses and trees.

  8. step 08

    Add highlights and shadows to create depth.

color palette

primary · ultramarine blue · sap green · titanium white

secondary · yellow ochre · burnt sienna · raw umber

Mix greens by combining blue and yellow. Use white to lighten colors and create atmospheric perspective. Mix browns and grays with combinations of the primary colors.

techniques

  • ·layering
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective
  • ·blocking in

common pitfalls

  • →Overworking the details too early.
  • →Using colors straight from the tube without mixing.
  • →Creating too much contrast in the foreground.
  • →Not establishing a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for visible brushstrokes. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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