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home·artworks·Mount Vesuvius from Torre dell’Annunziata near Naples
Mount Vesuvius from Torre dell’Annunziata near Naples by Thomas Jones

plate no. 0968

Mount Vesuvius from Torre dell’Annunziata near Naples

Thomas Jones, 1783

oilRomanticismlandscapevolcanomountainstreesskycloudslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also practice rendering realistic tree foliage and cloud formations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the volcano, mountains, and foreground elements.

  2. step 02

    Establish the sky with a thin wash of blue and grey, blending the colors to create soft clouds.

  3. step 03

    Block in the distant mountains using muted tones of grey, brown, and blue to create atmospheric perspective.

  4. step 04

    Paint the volcano, paying attention to the subtle variations in tone and texture.

  5. step 05

    Add the mid-ground trees and foliage, using darker greens and browns to create depth.

  6. step 06

    Develop the foreground trees with more detail, adding highlights and shadows to create form.

  7. step 07

    Paint the buildings and other small details in the landscape.

  8. step 08

    Refine the overall painting, adjusting values and adding final touches to create a sense of realism.

color palette

primary · Prussian Blue · Burnt Umber · Titanium White

secondary · Yellow Ochre · Cadmium Red Light

Mix muted greens by combining Prussian Blue, Yellow Ochre, and Burnt Umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·Layering
  • ·Blending
  • ·Atmospheric Perspective
  • ·Dry Brushing
  • ·Glazing

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too bright or saturated, which can detract from the overall mood.
  • →Neglecting the subtle variations in tone and texture, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian Blue, Burnt Umber, Titanium White, Yellow Ochre, Cadmium Red Light)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can help establish a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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