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home·artworks·Mount St Helens erupting at night
Mount St Helens erupting at night by Paul Kane

plate no. 7411

Mount St Helens erupting at night

Paul Kane

oilRomanticismlandscapevolcanowaterfigurestreesnightlandscape
some experience helpful

Recreating this painting will help students understand how to create atmospheric perspective and dramatic lighting effects. It will also provide practice in rendering reflections on water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the volcano, water, trees, and figures.

  2. step 02

    Establish the dark background using a mix of dark greens, blues, and browns.

  3. step 03

    Block in the volcano with a base of yellow ochre and white, gradually adding orange and red for the lava flow.

  4. step 04

    Paint the reflections of the volcano and figures in the water, using broken brushstrokes.

  5. step 05

    Add details to the trees and foliage, using darker values in the shadows and lighter values where light hits.

  6. step 06

    Refine the figures in the boat, paying attention to their silhouettes against the light.

  7. step 07

    Adjust the overall values and contrast to create a sense of depth and drama.

  8. step 08

    Add final highlights and details to the lava flow and reflections.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · sap green · cadmium orange

Achieve the dark background by mixing ultramarine blue, burnt umber, and a touch of sap green. Mix orange and red for the lava, and add white to create highlights on the volcano.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Making the background too light, which will flatten the image.
  • →Overblending the reflections, which will make them look unnatural.
  • →Using too much detail in the background, which will distract from the focal point.
  • →Failing to create a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, cadmium red, ultramarine blue, sap green, cadmium orange)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a canvas with a smooth surface for easier blending. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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