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home·artworks·Mount Shasta
Mount Shasta by Thomas Hill

plate no. 2670

Mount Shasta

Thomas Hill, 1882

oilRomanticismlandscapemountainlaketreesfiguresskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in natural light. Students will also learn to create depth through layering and value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the mountain's placement and the horizon line.

  2. step 02

    Block in the sky with a light yellow and pink mix, blending smoothly.

  3. step 03

    Establish the mountain's form with white and light gray, paying attention to shadows.

  4. step 04

    Paint the distant hills with muted oranges and browns, using thin washes.

  5. step 05

    Define the trees on the left and right with dark greens and browns, varying the brushstrokes.

  6. step 06

    Add the lake with dark blues and greens, reflecting the sky and surrounding landscape.

  7. step 07

    Include the figures in the boats, using small brushstrokes and subtle details.

  8. step 08

    Add final highlights and details to the mountain, trees, and water to enhance depth and realism.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · ultramarine blue · cadmium orange · alizarin crimson

Mix various shades of brown and green by combining burnt umber, yellow ochre, and ultramarine blue. Achieve the mountain's highlights by mixing titanium white with small amounts of yellow ochre and alizarin crimson.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details in the trees, resulting in a cluttered appearance.
  • →Failing to create a sense of depth through proper value and color changes.
  • →Using too much pure white on the mountain, making it appear flat.
  • →Ignoring the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium orange oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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