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home·artworks·Mount McKinley in Mist
Mount McKinley in Mist by Sydney Laurence

plate no. 2902

Mount McKinley in Mist

Sydney Laurence

oilRomanticismlandscapemountainstreesskycloudslandscapesnow
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth and dimension in a landscape. Students will also learn to mix subtle color variations to represent light and shadow on mountains and clouds.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, trees, and sky, paying attention to the overall composition.

  2. step 02

    Establish the sky with light blue and white, blending softly to create a hazy effect.

  3. step 03

    Block in the distant mountains with light blues and grays, using cooler tones for areas further away.

  4. step 04

    Add the mid-ground mountains, gradually increasing the contrast and detail.

  5. step 05

    Paint the foreground trees with dark greens and browns, using visible brushstrokes to create texture.

  6. step 06

    Develop the foreground foliage with warm browns, yellows, and greens, adding highlights to suggest sunlight.

  7. step 07

    Refine the details of the mountains, adding shadows and highlights to define the forms.

  8. step 08

    Add final touches to the trees and foliage, adjusting values and colors as needed.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · sap green · alizarin crimson

Mix various shades of blue and gray by combining white, ultramarine blue, and a touch of burnt umber. Achieve warm browns by mixing burnt umber with yellow ochre and alizarin crimson.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·soft blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountains, which should be kept soft and muted.
  • →Creating too much contrast in the sky, which should be subtle and hazy.
  • →Making the foreground too dark, which can flatten the composition.
  • →Failing to establish a clear sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brushes (sizes 4, 10)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can help establish a warm undertone.

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