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home·artworks·Mount McKinley
Mount McKinley by Sydney Laurence

plate no. 5394

Mount McKinley

Sydney Laurence

oilRomanticismlandscapemountainstreesskylandscapesnowfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering to create depth. It also provides practice in capturing the texture of foliage and the subtle color variations in snow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the mountain range and the placement of the trees.

  2. step 02

    Establish the sky with a light blue wash, blending it smoothly.

  3. step 03

    Block in the distant mountains with varying shades of blue and purple, creating atmospheric perspective.

  4. step 04

    Add the snow-capped peak, paying attention to the light and shadow.

  5. step 05

    Paint the mid-ground foliage with a mix of browns, greens, and yellows, using loose brushstrokes.

  6. step 06

    Define the trees in the foreground, focusing on their delicate branches and subtle color variations.

  7. step 07

    Add details to the foreground foliage, creating texture and depth.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to achieve a harmonious composition.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · alizarin crimson · viridian green

Mix blues and whites for the sky and distant mountains. Use umber and ochre for the foreground foliage, adding touches of crimson and green for variation. Create grays by mixing complementary colors for shadows in the snow.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brush texture
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Using too much pure white in the snow, making it appear flat.
  • →Failing to create a convincing sense of atmospheric perspective.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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