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home·artworks·Mount Chimborazo
Mount Chimborazo by Frederic Edwin Church

plate no. 9114

Mount Chimborazo

Frederic Edwin Church, 1865

oilRomanticismlandscapemountainsskywatertreescloudsboat
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in a landscape. Students will also learn how to create realistic reflections in water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the mountains, water, and foliage.

  2. step 02

    Block in the sky with light, muted colors, paying attention to the cloud formations.

  3. step 03

    Establish the base colors for the mountains, using purples, grays, and hints of pink.

  4. step 04

    Paint the water with horizontal strokes, capturing the reflections of the sky and foliage.

  5. step 05

    Add the dark masses of the trees and bushes, varying the greens and browns.

  6. step 06

    Develop the details in the foliage, using small brushstrokes to create texture.

  7. step 07

    Add highlights to the water and foliage to create depth and dimension.

  8. step 08

    Refine the details and adjust the colors as needed to achieve a harmonious composition.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · alizarin crimson

Mix muted purples for the mountains by combining ultramarine blue and alizarin crimson with white. Achieve the warm tones in the sky and water by blending burnt sienna with yellow ochre and white.

techniques

  • ·atmospheric perspective
  • ·wet-on-dry blending
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and distance.
  • →Ignoring the subtle color variations in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-tinting the canvas with a thin wash of burnt sienna can help create a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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