apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Moulin À Marée
Moulin À Marée by Maurice Bompard

plate no. 3327

Moulin À Marée

Maurice Bompard

oilImpressionismcityscapebuildingwaterskycloudsfigureboats
some experience helpful

Recreating this painting will help students develop skills in layering colors to create texture and capturing atmospheric perspective. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes: building, water line, and horizon.

  2. step 02

    Block in the sky with light blue and white, creating cloud shapes.

  3. step 03

    Establish the base colors for the building using browns and grays.

  4. step 04

    Paint the water with varying shades of blue, reflecting the sky.

  5. step 05

    Add the distant trees and buildings with muted greens and browns.

  6. step 06

    Paint the figure with basic shapes and colors.

  7. step 07

    Add details to the building, such as the window and texture of the stone.

  8. step 08

    Refine the details and add highlights and shadows to create depth.

color palette

primary · cerulean blue · titanium white · burnt umber · yellow ochre

secondary · raw sienna · cadmium red light · payne's gray

Mix blues and white for the sky and water, adding small amounts of other colors to create subtle variations. Use umber and sienna for the building, lightening with white for highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details too early.
  • →Making the colors too saturated.
  • →Not establishing a clear value structure.
  • →Ignoring the atmospheric perspective, making distant objects too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the broken color effect. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann