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home·artworks·Mother cuts a boy's hair in the room with a tiled stove and a sleeping cat
Mother cuts a boy's hair in the room with a tiled stove and a sleeping cat by Felix Schlesinger

plate no. 1171

Mother cuts a boy's hair in the room with a tiled stove and a sleeping cat

Felix Schlesinger

oil, woodRomanticismgenre paintinginteriorfigurescatstovehaircutdomestic scene
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and capturing the nuances of light and shadow in an interior setting. It also provides practice in depicting figures in a believable and engaging manner.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main elements of the room.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, paying attention to the local colors and how they are affected by light.

  4. step 04

    Develop the skin tones of the figures, layering subtle variations of color and value to create a sense of realism.

  5. step 05

    Add details to the clothing, hair, and other elements, using smaller brushes and finer strokes.

  6. step 06

    Refine the lighting and shadows, adding highlights and deepening shadows to create depth and dimension.

  7. step 07

    Add the cat and the objects on the wall.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and harmonious result.

color palette

primary · burnt umber · yellow ochre · titanium white · raw sienna

secondary · Prussian blue · cadmium red · viridian

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and create highlights. Add small amounts of blue or red to create cooler or warmer tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of value contrast.
  • →Getting lost in details before establishing the overall composition.
  • →Ignoring the subtle shifts in color temperature.
  • →Not paying attention to the anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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