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home·artworks·Mother at the funeral of her child
Mother at the funeral of her child by Nikolai Ge

plate no. 6435

Mother at the funeral of her child

Nikolai Ge

oilRomanticismportraitfigurearchitecturelandscapetreesskystone wall
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabric, and creating depth through atmospheric perspective. It also offers practice in depicting subtle color variations in natural light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main architectural elements.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the figure, the stone wall, and the trees, using simplified color masses.

  4. step 04

    Develop the values and colors of the figure, paying attention to the light and shadow on the face and clothing.

  5. step 05

    Add details to the stone wall, creating texture and depth with varied brushstrokes and color.

  6. step 06

    Refine the foliage of the trees, using small brushstrokes to suggest leaves and branches.

  7. step 07

    Adjust the overall color harmony and value relationships to create a cohesive and atmospheric effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · cadmium yellow light · ivory black

Achieve the skin tones by mixing white, yellow ochre, and a touch of burnt sienna. The greens are created by mixing blue, yellow, and umber. Use white to lighten and create atmospheric perspective.

techniques

  • ·portraiture
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color shifts in the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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