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Mother and Mary by Edmund Charles Tarbell

plate no. 5924

Mother and Mary

Edmund Charles Tarbell, 1922

oil, canvasImpressionismgenre paintinginteriorfiguresroomwindowfurniturelight
some experience helpful

Recreating this painting will help students develop skills in capturing subtle light and shadow variations, as well as painting figures in an interior setting with a focus on atmospheric perspective. Students will also learn to create a sense of depth and space through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major furniture elements.

  2. step 02

    Establish the overall color scheme by blocking in the large areas of color, such as the walls, floor, and windows.

  3. step 03

    Begin to refine the light and shadow patterns, paying attention to how the light enters the room and illuminates the figures.

  4. step 04

    Develop the details of the figures, including their clothing and facial features.

  5. step 05

    Add details to the furniture and other objects in the room, such as the desk, chairs, and rug.

  6. step 06

    Refine the overall composition, adjusting the colors and values as needed to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Let the painting dry and add a varnish layer.

color palette

primary · ivory black · yellow ochre · raw umber · titanium white

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the warm, muted tones by mixing yellow ochre, raw umber, and white. Use small amounts of alizarin crimson and ultramarine blue to create grays and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·indirect painting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle light and shadow variations.
  • →Using colors that are too saturated or intense.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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