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home·artworks·Mother and Child in a Boat
Mother and Child in a Boat by Edmund Charles Tarbell

plate no. 9848

Mother and Child in a Boat

Edmund Charles Tarbell, 1892

oil, canvasImpressionismgenre paintingfiguresboatwatertreesmotherchild
some experience helpful

Recreating this painting will help students develop skills in color mixing for subtle variations and applying impressionistic brushstrokes to capture light and texture. It also provides practice in rendering figures and reflections in water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the boat.

  2. step 02

    Block in the large areas of color, such as the water, boat, and figures, using thin washes.

  3. step 03

    Begin layering colors to create depth and dimension, paying attention to the light and shadows.

  4. step 04

    Add details to the figures, such as the facial features and clothing folds.

  5. step 05

    Develop the water by adding short, broken brushstrokes to simulate the reflections and ripples.

  6. step 06

    Refine the foliage in the background, using a variety of greens and browns.

  7. step 07

    Add final highlights and shadows to enhance the overall effect.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · ultramarine blue · titanium white · yellow ochre · alizarin crimson

secondary · raw umber · sap green · cadmium yellow light

Mix blues and whites for the water, adding touches of yellow ochre and alizarin crimson for warmth. Use white with small amounts of crimson and yellow for the figures' skin tones. Mix greens from blue and yellow for the foliage.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·impasto
  • ·color layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of light and shadow.
  • →Getting lost in details too early in the process.
  • →Failing to capture the movement and texture of the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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