
plate no. 3482
Theodore Robinson, 1887
Recreating this painting will help students develop skills in layering colors to create depth and capturing the effects of light filtering through foliage. It also offers practice in rendering figures in a natural setting with loose brushwork.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main shapes: figures, trees, and horizon line.
Establish the background by blocking in the general colors of the forest foliage with broad strokes.
Paint the birch trees, focusing on the vertical lines and subtle variations in tone.
Block in the basic shapes and colors of the mother and child, paying attention to proportions.
Refine the details of the figures, adding highlights and shadows to create form.
Add details to the background foliage, using broken color and varied brushstrokes to create texture.
Adjust values and colors throughout the painting to create a sense of depth and atmosphere.
Add final highlights and details to complete the painting.
color palette
primary · sap green · burnt umber · titanium white · ivory black
secondary · yellow ochre · cadmium yellow · alizarin crimson · ultramarine blue
Mix greens by combining sap green, yellow ochre, and ultramarine blue. Create browns by mixing burnt umber, ivory black, and a touch of alizarin crimson. Use white to lighten values and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.
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