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Mother and Child Bathing by Paul Émile Chabas

plate no. 1031

Mother and Child Bathing

Paul Émile Chabas

oilArt Nouveau (Modern)nude painting (nu)figureswatertreesfoliagenudelily
some experience helpful

This painting provides practice in rendering soft, diffused light and subtle skin tones. Students will also develop skills in depicting reflections in water and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the tree branch, focusing on proportions and placement.

  2. step 02

    Block in the background water and foliage with thin washes of color, establishing the overall tone.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Pay close attention to the subtle color variations in the skin, using thin glazes to build depth.

  5. step 05

    Refine the details of the faces, focusing on the eyes and mouth to capture the expressions.

  6. step 06

    Add the details of the tree branch and foliage, using a variety of brushstrokes to create texture.

  7. step 07

    Paint the reflections in the water, using broken brushstrokes and slightly desaturated colors.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · titanium white · yellow ochre · raw umber · alizarin crimson

secondary · viridian · ultramarine blue · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, raw umber, and a touch of alizarin crimson. Use viridian and ultramarine blue to create the cool tones of the water and foliage. Add white to lighten the colors and create a sense of atmosphere.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle color variations in the skin.
  • →Making the reflections in the water too bright or saturated.
  • →Ignoring the atmospheric perspective and creating a flat, unrealistic scene.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·viridian oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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