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home·artworks·Mosque Interior
Mosque Interior by Sevket Dag

plate no. 7720

Mosque Interior

Sevket Dag, 1928

oil, canvasImpressionisminteriorinteriormosquearchitecturewindowsrugfigure
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as practice creating depth and perspective in an interior space using atmospheric perspective and diminishing detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic architectural shapes and perspective lines, paying attention to the vanishing point.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Establish the light source and begin defining areas of light and shadow.

  4. step 04

    Develop the details of the architectural elements, such as the windows, doors, and columns.

  5. step 05

    Add the stained glass windows, using small, colorful strokes to create the effect of light passing through the glass.

  6. step 06

    Paint the rug with bold strokes, capturing the pattern and texture.

  7. step 07

    Refine the details of the figure, keeping it simple and suggestive.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · burnt umber · ultramarine blue · titanium white · yellow ochre

secondary · cadmium red · viridian green · purple

Mix browns and grays by combining burnt umber with ultramarine blue and white. Use yellow ochre and white to create warm highlights. Mix small amounts of cadmium red and viridian green to create the colors in the stained glass.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Getting the perspective wrong, which will make the architecture look distorted.
  • →Overworking the details, which will make the painting look stiff and unnatural.
  • →Using colors that are too saturated, which will make the painting look garish.
  • →Failing to capture the light and shadow, which will make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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