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home·artworks·Mosque in Sorobango, of Traditional Baked-mud Sudano-sahelian Architecture, in Northern Côte D'ivoire.
Mosque in Sorobango, of Traditional Baked-mud Sudano-sahelian Architecture, in Northern Côte D'ivoire. by Edouard Riou

plate no. 4907

Mosque in Sorobango, of Traditional Baked-mud Sudano-sahelian Architecture, in Northern Côte D'ivoire.

Edouard Riou, 1892

oilRomanticismillustrationmosquearchitecturebuildingskyanimalsfigures
some experience helpful

Recreating this image will help students develop skills in rendering textures using hatching and cross-hatching techniques, as well as understanding atmospheric perspective to create depth.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes of the mosque, figures, and animals.

  2. step 02

    Establish the horizon line and basic perspective.

  3. step 03

    Start shading the sky with light, even strokes, leaving areas for clouds.

  4. step 04

    Focus on the mosque, adding details like the sticks protruding from the walls, using varying line weights.

  5. step 05

    Render the figures and animals, paying attention to their forms and shadows.

  6. step 06

    Add texture to the foreground using short, broken lines to represent grass and dirt.

  7. step 07

    Refine the details and deepen the shadows to create contrast and depth.

  8. step 08

    Add final highlights to emphasize the light source.

color palette

primary · black · white · gray

secondary ·

Varying shades of gray are achieved by diluting black ink or paint with water or white paint.

techniques

  • ·hatching
  • ·cross-hatching
  • ·atmospheric perspective
  • ·rendering texture
  • ·value studies

common pitfalls

  • →Failing to establish a clear light source, resulting in flat, unconvincing shadows.
  • →Overworking the details, leading to a cluttered and confusing image.
  • →Inconsistent line weights, making the drawing appear uneven.
  • →Ignoring the principles of perspective, causing the buildings to look distorted.

materials

surface · Drawing paper (smooth or slightly textured)

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Drawing paper (smooth or slightly textured)
  • ·Ruler
  • ·Fine liner pens (various sizes)
  • ·Blending stump

optional

  • ·Ink
  • ·Watercolor pencils
  • ·White charcoal pencil

Using a variety of pencil grades will help achieve a wider range of values. Consider using a kneaded eraser for lifting highlights.

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oil painting for beginners →how to learn by studying the masters →
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