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home·artworks·Moses and the Masks
Moses and the Masks by Israel Tsvaygenbaum

plate no. 3079

Moses and the Masks

Israel Tsvaygenbaum, 2002

oilMagic Realismreligious paintingfiguresmasksdesertreligiousstatueslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and form, as well as understanding how to simplify complex shapes into basic geometric forms. It also provides practice in creating a unified color scheme across a diverse range of subjects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figures and the landscape elements.

  2. step 02

    Establish the background color with a thin wash of yellow and ochre.

  3. step 03

    Block in the main figures (Moses, the golden calf, and the crowd of masks) with simplified shapes and local colors.

  4. step 04

    Begin layering colors on the masks to create variation and depth, using blues, greens, reds, and browns.

  5. step 05

    Add details to Moses and the golden calf, focusing on their form and texture.

  6. step 06

    Refine the background landscape, adding subtle variations in color and value.

  7. step 07

    Add highlights and shadows to create dimension and form throughout the painting.

  8. step 08

    Review and adjust the overall composition, color balance, and details.

color palette

primary · yellow ochre · burnt umber · raw sienna

secondary · ultramarine blue · cadmium red · sap green

Mix yellow ochre with burnt umber to create the base tones for the figures and landscape. Use ultramarine blue and cadmium red to create the darker tones for the masks. Mix yellow ochre with touches of red and blue to create the various skin tones.

techniques

  • ·layering
  • ·color mixing
  • ·blocking in
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Losing the overall unity of the color scheme.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →how to learn by studying the masters →
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