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home·artworks·Morphine Addicts
Morphine Addicts by Paul-Albert Besnard

plate no. 0647

Morphine Addicts

Paul-Albert Besnard, 1887

etchingImpressionismportraitfiguresportraitstableglasswareinterior
some experience helpful

This etching provides a good exercise in understanding value relationships and creating depth using line work. Students can learn to suggest form and texture through varying line weight and density.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and proportions of the figures and objects.

  2. step 02

    Identify the darkest areas of the image and begin filling them in with dense hatching and cross-hatching.

  3. step 03

    Gradually build up the values, using lighter lines and wider spacing to create areas of light and shadow.

  4. step 04

    Pay close attention to the direction of the lines to suggest the form and texture of the subjects.

  5. step 05

    Use finer lines to define the details of the faces, hands, and glassware.

  6. step 06

    Add subtle variations in line weight to create a sense of depth and atmosphere.

  7. step 07

    Refine the overall image by adding or removing lines as needed to achieve the desired effect.

  8. step 08

    Step back and assess the overall balance and harmony of the composition.

color palette

primary · black · white

secondary · gray

Varying the density of black lines on white paper creates shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·line weight variation
  • ·value shading
  • ·contour drawing

common pitfalls

  • →Overworking the image and losing the sense of spontaneity.
  • →Creating lines that are too uniform and lack variation.
  • →Failing to establish a clear sense of light and shadow.
  • →Ignoring the underlying structure of the subjects.

materials

surface · smooth drawing paper

required

  • ·etching needle or fine-tipped pen
  • ·smooth paper
  • ·soft eraser
  • ·ruler
  • ·pencil
  • ·reference image

optional

  • ·magnifying glass
  • ·tracing paper
  • ·charcoal pencil

Choose a paper that can handle fine lines and shading without smudging.

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related guides

color theory for painters →how to learn by studying the masters →
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