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home·artworks·Morning
Morning by Thomas Stuart Smith

plate no. 1839

Morning

Thomas Stuart Smith, 1867

oil, canvas, woodRomanticismgenre paintinginteriorfiguresdoorwaylightshadowarchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering light and shadow within an interior space and capturing the texture of aged materials. It also provides practice in painting figures in a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective.

  2. step 02

    Block in the large shapes of the walls, floor, and doorway with thin washes of color.

  3. step 03

    Establish the main light source and begin building up the values, focusing on the areas of light and shadow.

  4. step 04

    Add details to the architectural elements, such as the stone walls and wooden beams, using thicker paint and visible brushstrokes.

  5. step 05

    Paint the figures, paying attention to their proportions and gestures.

  6. step 06

    Refine the details and add highlights to create a sense of depth and realism.

  7. step 07

    Adjust the overall color balance and value contrast to achieve the desired mood.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue

Achieve the muted tones by mixing raw umber and burnt sienna with white. Use small amounts of blue to cool down the browns and create shadows. Add red to create warmth in the figures' clothing.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to establish a strong light source and value contrast.
  • →Incorrect perspective, especially in the floor and doorway.
  • →Making the figures too detailed and realistic, which would detract from the overall impressionistic style.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·turpentine
  • ·varnish

Use a medium-textured canvas to allow for visible brushstrokes. Consider toning the canvas with a thin wash of raw umber before beginning.

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oil painting for beginners →how to learn by studying the masters →
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