apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Morning by the Stream
Morning by the Stream by T. C. Steele

plate no. 4406

Morning by the Stream

T. C. Steele, 1893

oil, canvasImpressionismlandscapelandscapetreeswaterfigureautumnstream
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the subtle reflections in water. It also provides practice in depicting atmospheric perspective and creating a sense of mood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the tree, figure, stream, and distant hills.

  2. step 02

    Establish the main color blocks for the sky, hills, water, and foreground foliage.

  3. step 03

    Begin layering colors in the sky and hills to create atmospheric perspective.

  4. step 04

    Develop the foliage with short, broken brushstrokes, using a variety of warm colors.

  5. step 05

    Paint the water, capturing the reflections and movement with horizontal strokes.

  6. step 06

    Add details to the tree trunk and branches, using darker values to create form.

  7. step 07

    Refine the figure, paying attention to the subtle variations in light and shadow.

  8. step 08

    Add final highlights and details to the foliage and water to enhance the overall effect.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix greens by combining yellow ochre and ultramarine blue, and adjust the warmth with cadmium yellow. Achieve atmospheric perspective by lightening and muting colors with white as they recede into the distance.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overblending colors, resulting in a muddy appearance.
  • →Neglecting the importance of value contrast.
  • →Failing to capture the subtle reflections in the water.
  • →Making the foliage too uniform and lacking in variety.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann