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home·artworks·Morning
Morning by Sattar Bahlulzade

plate no. 4414

Morning

Sattar Bahlulzade, 1961

oilImpressionismlandscapeseapiercloudssunsetshipscityscape
some experience helpful

This painting is great for learning about color mixing to achieve a unified color scheme and practicing loose, expressive brushstrokes. It also provides an opportunity to explore reflections in water and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the pier, ships, and cityscape.

  2. step 02

    Establish the overall color scheme by applying a thin wash of the dominant pink/orange hue across the entire canvas.

  3. step 03

    Block in the main shapes of the sky, water, pier, and clouds, using slightly darker and lighter variations of the base color.

  4. step 04

    Add details to the cityscape and ships in the distance, using cooler tones of gray and blue.

  5. step 05

    Develop the pier with darker values and reflections in the water, paying attention to the vertical brushstrokes.

  6. step 06

    Define the clouds with highlights and shadows, using soft blending techniques.

  7. step 07

    Add small details such as figures on the pier and birds in the sky.

  8. step 08

    Refine the overall painting by adjusting values and colors as needed to create a sense of depth and atmosphere.

color palette

primary · rose madder · titanium white · ultramarine blue

secondary · yellow ochre · burnt umber

Achieve the pink/orange hues by mixing rose madder and titanium white, with small amounts of yellow ochre for warmth. Use ultramarine blue to create cooler grays for the distant cityscape and reflections.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much white and creating a chalky effect.
  • →Failing to establish a clear value structure.
  • →Neglecting the importance of reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette to achieve color harmony. Consider using a toned canvas to start.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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