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home·artworks·Morgan Our Lady of Peace
Morgan Our Lady of Peace by Evelyn De Morgan

plate no. 3001

Morgan Our Lady of Peace

Evelyn De Morgan, 1902

oilRomanticismreligious paintingfigureangelsarmorcolumnslightreligious
experienced study

Recreating this painting will help students develop skills in rendering figures, drapery, and metallic surfaces, as well as understanding atmospheric perspective and soft light effects. It also provides practice in depicting complex compositions with multiple figures and intricate details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the details of the figures, starting with the faces and hands.

  4. step 04

    Work on the drapery, paying attention to the folds and highlights.

  5. step 05

    Render the armor with careful attention to the metallic sheen and reflections.

  6. step 06

    Paint the angels, focusing on their ethereal quality and soft features.

  7. step 07

    Add the background details, including the columns and checkered floor.

  8. step 08

    Glaze and adjust colors and values to create a harmonious and unified painting.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · alizarin crimson · cadmium yellow light · viridian

Achieve the ethereal light by mixing white with small amounts of yellow ochre, ultramarine, and alizarin crimson. Use glazes of diluted colors to create subtle shifts in hue and value.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall harmony.
  • →Failing to create a convincing sense of light and atmosphere.
  • →Inaccurate rendering of metallic surfaces.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a warm underpainting.

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