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home·artworks·Moonrise
Moonrise by Clarence Gagnon

plate no. 3183

Moonrise

Clarence Gagnon, 1909

oilImpressionismlandscaperiversnowtreesmoonlandscapewinter
some experience helpful

This painting provides a good opportunity to practice color mixing to achieve subtle variations in blues and whites, as well as learning to suggest details with loose brushstrokes. Recreating this will help students understand how to create depth and atmosphere with color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, river banks, and the position of the moon.

  2. step 02

    Block in the sky with a light blue-violet wash, leaving a circle for the moon.

  3. step 03

    Paint the distant hills and trees with darker blues and purples, suggesting snow cover.

  4. step 04

    Establish the river with varying shades of blue, reflecting the sky and the moon.

  5. step 05

    Add details to the river banks with snow and vegetation, using thicker paint and visible brushstrokes.

  6. step 06

    Paint the trees on the right side, using thin branches and subtle color variations.

  7. step 07

    Add highlights to the snow and reflections in the water with white and pale yellow.

  8. step 08

    Refine the details and adjust the values to create depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · violet

secondary · yellow ochre · burnt umber

Mix blues and whites for the sky and snow. Add small amounts of yellow ochre or burnt umber to the blues to create warmer or cooler tones. Use violet to darken the blues for shadows.

techniques

  • ·dry brush texture
  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much white and making the painting look flat.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the brushstrokes enough to suggest different textures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·violet oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#6 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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