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home·artworks·Moonlit night near Yalta
Moonlit night near Yalta by Ivan Aivazovsky

plate no. 2007

Moonlit night near Yalta

Ivan Aivazovsky, 1863

oilRomanticismlandscapeseatreesmountainsskymoonlandscape
some experience helpful

This painting provides practice in creating atmospheric perspective and rendering light reflecting on water. Students will learn to blend colors smoothly to create a sense of depth and luminosity.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, mountains, and horizon line.

  2. step 02

    Block in the large areas of color, starting with the sky and sea, using thin washes.

  3. step 03

    Establish the dark mass of the mountains on the left, paying attention to the subtle variations in tone.

  4. step 04

    Paint the trees, focusing on their verticality and the way the light hits them.

  5. step 05

    Add the moon and its reflection on the water, using lighter tones and soft blending.

  6. step 06

    Develop the details of the foreground foliage and the small boat on the sea.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to create a sense of realism and depth.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · titanium white · sap green · cadmium yellow

Mix yellow ochre and white for the moonlit sky. Use ultramarine blue and burnt umber for the dark mountains, adding white for highlights. Mix sap green and burnt umber for the foliage, adding yellow ochre for lighter areas.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details in the dark areas.
  • →Making the colors too saturated and unrealistic.
  • →Failing to create a sense of depth and atmosphere.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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