
plate no. 2007
Ivan Aivazovsky, 1863
This painting provides practice in creating atmospheric perspective and rendering light reflecting on water. Students will learn to blend colors smoothly to create a sense of depth and luminosity.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the trees, mountains, and horizon line.
Block in the large areas of color, starting with the sky and sea, using thin washes.
Establish the dark mass of the mountains on the left, paying attention to the subtle variations in tone.
Paint the trees, focusing on their verticality and the way the light hits them.
Add the moon and its reflection on the water, using lighter tones and soft blending.
Develop the details of the foreground foliage and the small boat on the sea.
Refine the overall composition, adjusting values and colors as needed.
Add final highlights and details to create a sense of realism and depth.
color palette
primary · yellow ochre · ultramarine blue · burnt umber
secondary · titanium white · sap green · cadmium yellow
Mix yellow ochre and white for the moonlit sky. Use ultramarine blue and burnt umber for the dark mountains, adding white for highlights. Mix sap green and burnt umber for the foliage, adding yellow ochre for lighter areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.
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