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home·artworks·Moonlit night by the sea
Moonlit night by the sea by Lev Lagorio

plate no. 0593

Moonlit night by the sea

Lev Lagorio, 1886

oilRomanticismlandscapeseamoonlighthousefiguresskybuilding
some experience helpful

Recreating this painting will help students understand how to create atmospheric perspective and capture the subtle gradations of light in a nocturnal scene. It also provides practice in rendering reflections on water and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the lighthouse, figures, and horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of dark blue and brown, paying attention to the areas of light and shadow.

  3. step 03

    Begin layering in the sky, blending blues, greens, and whites to create the moonlit effect and cloud formations.

  4. step 04

    Paint the sea, using horizontal strokes to suggest the movement of the water and adding highlights to represent the moon's reflection.

  5. step 05

    Block in the dark shapes of the land, lighthouse, and figures, gradually adding details and variations in tone.

  6. step 06

    Refine the details of the lighthouse and building, paying attention to the light source and cast shadows.

  7. step 07

    Add the figures, focusing on their silhouettes and the light from the lantern.

  8. step 08

    Make final adjustments to the values and colors, ensuring a cohesive and atmospheric effect.

color palette

primary · Prussian Blue · Ultramarine Blue · Titanium White

secondary · Burnt Umber · Yellow Ochre · Sap Green

Mix blues and white for the sky and sea, adding small amounts of green or umber to create variations in tone. Use burnt umber and blue to create dark shadows. Mix yellow ochre and white for the moonlight.

techniques

  • ·Glazing
  • ·Scumbling
  • ·Blending
  • ·Atmospheric Perspective

common pitfalls

  • →Overworking the details too early
  • →Creating muddy colors by overmixing
  • →Failing to establish a strong value structure
  • →Ignoring atmospheric perspective and depth

materials

surface · Stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (Prussian Blue, Ultramarine Blue, Titanium White, Burnt Umber, Yellow Ochre)
  • ·Round brushes (#2, #4, #6)
  • ·Flat brush (#8)
  • ·Odorless mineral spirits
  • ·Palette
  • ·Palette knife

optional

  • ·Linseed oil
  • ·Retouch varnish
  • ·Easel

Using a toned canvas (e.g., a light gray or blue) can help establish the overall mood of the painting.

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