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home·artworks·Moonlight, St Ives' Bay, Cornwall
Moonlight, St Ives' Bay, Cornwall by Albert Julius Olsson

plate no. 7876

Moonlight, St Ives' Bay, Cornwall

Albert Julius Olsson, 1937

oilImpressionismmarinaoceanwavesbeachcloudstreesmoonlight
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and creating the illusion of light reflecting on water. It also provides practice in using brushstrokes to define form and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Establish the overall value structure with a thin wash of dark colors, paying attention to the areas of light and shadow.

  3. step 03

    Begin blocking in the sky, blending the dark blues and grays to create a sense of depth and atmosphere.

  4. step 04

    Paint the ocean, using horizontal brushstrokes to indicate the movement of the water and adding highlights to represent the moonlight.

  5. step 05

    Add the details of the waves, using short, broken brushstrokes to create texture and foam.

  6. step 06

    Paint the beach and foreground elements, using a variety of greens and browns to create depth and interest.

  7. step 07

    Refine the details of the trees and foliage, using small, precise brushstrokes.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · viridian green · yellow ochre

Mix ultramarine blue and burnt umber for the dark tones of the sky and ocean. Add white to create lighter values and viridian green to create the greenish hues in the water. Use yellow ochre to warm up the sand and create highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much detail in the background, which can flatten the perspective.
  • →Failing to capture the subtle variations in color and value.
  • →Not creating enough contrast between the light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grain canvas to allow for good paint adhesion and texture. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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