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Moonlight by Thomas Cole

plate no. 7971

Moonlight

Thomas Cole, 1834

oil, canvasRomanticismlandscapelandscapemoonlighttowermountainstreesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth using value and color. It also provides practice in rendering subtle gradations of light and shadow in a nocturnal scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tower, mountain, and main tree.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the areas of light and shadow.

  3. step 03

    Block in the sky with a mix of blues, purples, and whites, creating a soft, blended effect around the moon.

  4. step 04

    Paint the distant mountains and landscape, using muted colors and soft edges to create atmospheric perspective.

  5. step 05

    Develop the foreground elements, including the trees, figures, and sheep, adding details and texture.

  6. step 06

    Add highlights to the water and the tower to create a sense of moonlight.

  7. step 07

    Refine the details and adjust the values as needed to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · alizarin crimson · sap green

Achieve the subtle color variations by mixing the primary colors with white and small amounts of secondary colors. Use glazes of thinned paint to create depth and luminosity.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details in the distant landscape, losing the sense of atmospheric perspective.
  • →Creating harsh lines and edges, which can detract from the overall softness of the scene.
  • →Failing to establish a clear value structure, resulting in a flat and unconvincing painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·alizarin crimson oil paint
  • ·sap green oil paint
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

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