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home·artworks·Montparnasse Landscape
Montparnasse Landscape by Frederick Carl Frieseke

plate no. 0905

Montparnasse Landscape

Frederick Carl Frieseke, 1900

watercolorImpressionismcityscapebuildingsstreetfiguresskycityscapearchitecture
some experience helpful

This painting is great for learning how to create depth through value and atmospheric perspective, as well as simplifying complex architectural forms into basic shapes. Students will also practice loose brushwork and color mixing to achieve a harmonious tonal range.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the street perspective.

  2. step 02

    Establish the darkest darks with a thin wash of burnt umber, focusing on the shadows and doorways.

  3. step 03

    Apply a light wash of yellow ochre to the buildings, varying the intensity to suggest sunlight.

  4. step 04

    Mix a range of grays and blues for the sky, using loose, broken brushstrokes to create the clouds.

  5. step 05

    Add details to the buildings, such as windows and architectural features, using a smaller brush.

  6. step 06

    Paint the figures in the foreground with quick, gestural strokes, focusing on their silhouettes.

  7. step 07

    Glaze the street with a mix of yellow ochre and burnt sienna, creating variations in tone and texture.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · raw sienna · payne's gray

Mix yellow ochre and burnt umber for the warm tones of the buildings. Use ultramarine blue and burnt umber for the darker shadows. Add white to the blues for the sky and clouds.

techniques

  • ·wet-on-dry
  • ·dry brush
  • ·layering washes
  • ·atmospheric perspective
  • ·gestural brushwork

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast and flattening the sense of depth.
  • →Using colors straight from the tube without mixing them to create harmonious tones.
  • →Neglecting the importance of atmospheric perspective in creating depth.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·#6 round brush
  • ·#2 round brush
  • ·water container
  • ·palette
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use a good quality watercolor paper that can handle multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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