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home·artworks·Monna Rosa
Monna Rosa by Dante Gabriel Rossetti

plate no. 2287

Monna Rosa

Dante Gabriel Rossetti, 1867

oil, canvasRomanticismportraitfigureportraitrosesvasedressinterior
experienced study

Recreating this painting will help students develop skills in rendering complex fabric patterns and capturing subtle skin tones. It also provides practice in depicting floral arrangements and decorative objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the vase and roses.

  2. step 02

    Establish the background color and the general tones of the dress and skin.

  3. step 03

    Begin layering in the gold floral patterns on the dress, paying attention to the way the fabric folds and drapes.

  4. step 04

    Develop the details of the face, focusing on accurate proportions and subtle shading.

  5. step 05

    Paint the roses, starting with the larger shapes and gradually adding details and highlights.

  6. step 06

    Render the vase, capturing its color and the delicate floral pattern.

  7. step 07

    Add the final details, such as the jewelry, ribbons, and the bamboo stand.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed to achieve a cohesive and harmonious result.

color palette

primary · ivory · gold · rose pink · viridian

secondary · ultramarine blue · burnt sienna · cadmium yellow

Achieve the dress's off-white color by mixing ivory with small amounts of yellow ochre and burnt umber. The gold patterns are created with various shades of yellow ochre, raw sienna, and a touch of burnt sienna. Mix rose pink with white for the roses, adding touches of crimson for depth.

techniques

  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·portraiture
  • ·floral painting

common pitfalls

  • →Oversimplifying the fabric patterns, resulting in a flat and unrealistic appearance.
  • →Failing to capture the subtle nuances of skin tone, leading to a lifeless portrait.
  • →Rushing the process and neglecting the importance of layering and glazing.
  • →Ignoring the interplay of light and shadow, resulting in a lack of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ivory, gold, rose pink, viridian, ultramarine blue, burnt sienna, cadmium yellow)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·drying retarder
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended for this level of detail.

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oil painting for beginners →how to learn by studying the masters →
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