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home·artworks·Monks in the Certosa in Padua
Monks in the Certosa in Padua by Vincenzo Abbati

plate no. 5176

Monks in the Certosa in Padua

Vincenzo Abbati, 1850

oil, canvasRomanticisminteriorinteriormonksarchitecturefigureschurchbenches
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, rendering light and shadow in a complex interior space, and painting figures in a consistent style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and basic shapes of the room and figures.

  2. step 02

    Block in the main areas of color: walls, floor, benches, and monk robes.

  3. step 03

    Establish the light source and begin adding shadows to create depth.

  4. step 04

    Refine the shapes of the figures, paying attention to their poses and drapery.

  5. step 05

    Add details to the architecture, such as the wood paneling and paintings on the walls.

  6. step 06

    Mix and apply highlights to create a sense of light and atmosphere.

  7. step 07

    Add final details to the figures' faces and hands.

  8. step 08

    Glaze over the painting to unify the colors and create a sense of depth.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · titanium white · cadmium red light · yellow ochre

Use burnt umber and ivory black for shadows, adding white for lighter tones. Mix yellow ochre and cadmium red light to create the warm tones of the wood.

techniques

  • ·linear perspective
  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective leading to a distorted space.
  • →Overworking details before establishing the overall values.
  • →Creating figures that appear flat or out of proportion.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·varnish

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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