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home·artworks·Monk under ancient ruins
Monk under ancient ruins by Vincenzo Abbati

plate no. 8887

Monk under ancient ruins

Vincenzo Abbati

oil, canvasRomanticisminteriorruinsarchesfiguremonkarchitecturelight
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using value and color temperature. It will also provide practice in rendering figures in shadow and creating a sense of mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the arches and the figure's placement.

  2. step 02

    Establish the dark areas of the ruins with a dark brown or black.

  3. step 03

    Block in the lighter areas with a warm, muted yellow or ochre.

  4. step 04

    Begin to define the arches, paying attention to the perspective and the way the light falls.

  5. step 05

    Add details to the figure, focusing on the shapes and shadows.

  6. step 06

    Refine the details of the ruins, adding texture and variation to the surfaces.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the atmosphere.

  8. step 08

    Add final highlights and details to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · ultramarine blue

Mix burnt umber and ivory black for the dark areas. Use raw sienna and yellow ochre for the warm highlights. Add small amounts of ultramarine blue to the shadows to cool them down.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the atmospheric perspective and failing to create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth surface for best results. Consider using a toned canvas to save time on the underpainting.

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oil painting for beginners →how to learn by studying the masters →
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