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home·artworks·Monk on Terrace
Monk on Terrace by Carl Blechen

plate no. 4733

Monk on Terrace

Carl Blechen, 1835

oilRomanticismlandscapefigurelandscapeskycliffterracemonk
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of tones and textures. It also provides practice in rendering figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, the cliff, and the horizon line.

  2. step 02

    Establish the sky with broad washes of color, blending blues, grays, and hints of orange.

  3. step 03

    Block in the dark mass of the cliff using dark browns and blacks, paying attention to its form and texture.

  4. step 04

    Add the figure of the monk, focusing on the folds of the robe and the subtle highlights.

  5. step 05

    Develop the foreground with layers of browns, greens, and yellows, creating a sense of depth and texture.

  6. step 06

    Refine the details of the landscape, adding highlights and shadows to create form.

  7. step 07

    Add final touches to the sky, blending the colors and softening the edges.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values.

color palette

primary · burnt umber · ultramarine blue · titanium white

secondary · yellow ochre · cadmium red light · sap green

Mix various shades of brown by combining burnt umber with ultramarine blue and white. Use yellow ochre and cadmium red light to create warm highlights. Add small amounts of sap green to the browns for a natural, earthy feel.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Failing to create a convincing sense of atmosphere in the sky.
  • →Using colors that are too saturated, resulting in a painting that looks unnatural.
  • →Neglecting the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-textured canvas to help create the desired texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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