apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mondement
Mondement by Fernand Combes

plate no. 6493

Mondement

Fernand Combes, 1914

charcoal, colored pencilsImpressionismlandscapebuildingstreeslandscapeskyruinschurch
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures with a limited color palette. It also provides practice in depicting architectural details and organic forms like trees.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, trees, and horizon line.

  2. step 02

    Establish the basic value structure with light charcoal or a diluted wash.

  3. step 03

    Block in the main color areas, starting with the sky and background.

  4. step 04

    Develop the details of the buildings, focusing on light and shadow.

  5. step 05

    Add the trees, paying attention to their branching structure and texture.

  6. step 06

    Refine the foreground details, adding depth and interest.

  7. step 07

    Adjust the overall values and colors to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · gray · yellow ochre · ivory black

secondary · burnt umber · raw sienna

Achieve the muted tones by mixing grays with small amounts of yellow ochre and burnt umber. Use ivory black to darken values and raw sienna for subtle warmth.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·hatching
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·charcoal pencils
  • ·acrylic paints (gray, yellow ochre, ivory black, burnt umber, raw sienna)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use a toned canvas for easier value control. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann