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home·artworks·Monastery of Sant’Urbano ai Pantani
Monastery of Sant’Urbano ai Pantani by Achille Pinelli

plate no. 1986

Monastery of Sant’Urbano ai Pantani

Achille Pinelli, 1834

oilRomanticismgenre paintingbuildingsfiguresstreet scenearchitecturedonkeysreligious
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, figure drawing, and creating atmospheric perspective using washes. Students can also practice capturing the effects of light and shadow on textured surfaces.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural shapes and figure placements, paying attention to perspective.

  2. step 02

    Apply a light wash of diluted yellow ochre or raw sienna to the entire paper as a base tone.

  3. step 03

    Begin layering washes of color to define the buildings, starting with the lightest areas and gradually building up darker tones.

  4. step 04

    Add details to the architecture, such as windows, doors, and decorative elements, using a fine brush.

  5. step 05

    Paint the figures, paying attention to their proportions and clothing details.

  6. step 06

    Add shadows and highlights to create depth and dimension.

  7. step 07

    Use dry brush techniques to create texture on the buildings and ground.

  8. step 08

    Add final details, such as foliage and small figures in the background.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · alizarin crimson · ivory black

Achieve the aged building colors by mixing yellow ochre, burnt sienna, and small amounts of raw umber. Mix ultramarine blue with burnt sienna for the donkey's grey color.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·linear perspective

common pitfalls

  • →Overworking the washes and losing the transparency of the watercolor.
  • →Not paying attention to perspective, resulting in distorted buildings.
  • →Making the colors too saturated and losing the muted, aged feel.
  • →Neglecting the details in the architecture and figures.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (1 inch)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve various effects.

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