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home·artworks·Monastery complex on the Gulf of Naples near Sorrento
Monastery complex on the Gulf of Naples near Sorrento by August Ahlborn

plate no. 7543

Monastery complex on the Gulf of Naples near Sorrento

August Ahlborn, 1837

oil, canvasRomanticismlandscapetreesarchitectureseafigureslandscapemountains
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as rendering complex tree structures and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, buildings, and horizon line.

  2. step 02

    Block in the sky and sea with broad washes of color, establishing the overall light and atmosphere.

  3. step 03

    Establish the basic shapes and values of the buildings and landscape elements.

  4. step 04

    Begin adding details to the trees, focusing on the structure of the branches and the play of light and shadow on the foliage.

  5. step 05

    Refine the details of the buildings, including the windows, columns, and other architectural features.

  6. step 06

    Add the figures and other small details to bring the scene to life.

  7. step 07

    Glaze the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · Prussian blue · Yellow ochre · Burnt umber · Titanium white

secondary · Cadmium yellow · Alizarin crimson · Viridian

Mix blues and yellows with white to create the sky and sea. Use burnt umber and yellow ochre for the buildings and landscape, adding touches of green and red for variation. Mix greens from blue and yellow, adding burnt umber to darken.

techniques

  • ·Layering
  • ·Glazing
  • ·Dry brushing
  • ·Atmospheric perspective
  • ·Scumbling

common pitfalls

  • →Overworking details too early
  • →Failing to establish a strong value structure
  • →Ignoring atmospheric perspective
  • →Using colors straight from the tube without mixing

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints
  • ·Round brushes
  • ·Flat brushes
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel
  • ·Color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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