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Monaco by Franz Richard Unterberger

plate no. 3110

Monaco

Franz Richard Unterberger

oil, canvasRomanticismlandscapeseaskyfigurestreescoastlinecityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in water and sky. It also encourages practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, coastline, and placement of figures and trees.

  2. step 02

    Block in the sky with light blues and pinks, blending softly to create a cloudy effect.

  3. step 03

    Establish the water with varying shades of blue and gray, reflecting the sky and coastline.

  4. step 04

    Paint the distant coastline and cityscape, using muted colors to convey atmospheric perspective.

  5. step 05

    Add the palm trees, focusing on their structure and the way light hits their fronds.

  6. step 06

    Block in the figures on the cliff, paying attention to their relative sizes and positions.

  7. step 07

    Develop the details of the foreground cliff and vegetation, using a variety of greens and browns.

  8. step 08

    Refine the details of the figures, adding highlights and shadows to create form.

color palette

primary · ultramarine blue · titanium white · rose madder

secondary · yellow ochre · burnt umber · sap green

Achieve the sky colors by mixing white with small amounts of blue and pink. Use yellow ochre and burnt umber to create earth tones for the cliff and vegetation. Mix blue and green for the water, adding white to lighten the value.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·wet-on-wet blending

common pitfalls

  • →Overworking the details in the distant landscape, losing the sense of depth.
  • →Using too much pure color, resulting in a flat and unrealistic appearance.
  • →Neglecting the subtle color variations in the water and sky.
  • →Making the figures too stiff or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, titanium white, rose madder, yellow ochre, burnt umber, sap green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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