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Molo by Jakub Schikaneder

plate no. 1454

Molo

Jakub Schikaneder

oilRomanticismmarinaseaskypierbuildingfigureslighthouse
some experience helpful

This painting offers a good opportunity to practice atmospheric perspective and subtle color mixing to create a moody, realistic scene. Students can also learn to simplify complex shapes like waves and buildings using basic forms and values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the pier, lighthouse, and building.

  2. step 02

    Block in the large areas of color: sky, sea, and land, using thin washes.

  3. step 03

    Establish the basic values, paying attention to the overall mood and light source.

  4. step 04

    Begin adding details to the sky, creating subtle variations in tone and color to suggest clouds.

  5. step 05

    Develop the sea, using short, broken brushstrokes to represent the waves and reflections.

  6. step 06

    Add details to the pier, building, and lighthouse, focusing on their forms and textures.

  7. step 07

    Paint the figures, simplifying their forms and focusing on their silhouettes.

  8. step 08

    Refine the painting, adding highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · payne's gray

Use a limited palette and mix colors to create subtle variations in tone and value. Mix blues and grays for the sky and sea, and add touches of yellow ochre and burnt sienna for warmth in the pier and building.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·broken brushstrokes
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall mood.
  • →Using colors straight from the tube without mixing them.
  • →Ignoring the importance of value in creating depth.
  • →Making the waves too uniform and repetitive.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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