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home·artworks·Molly, Dutchess of Nona
Molly, Dutchess of Nona by Frank Cadogan Cowper

plate no. 6192

Molly, Dutchess of Nona

Frank Cadogan Cowper, 1905

oil, canvasRomanticismportraitportraitfiguredresscityscapearchitecturerose
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of fabric textures. It also provides practice in depicting atmospheric perspective in the background cityscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Establish the background cityscape with light washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, including the face, hair, and clothing, using simplified color values.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Develop the details of the dress, paying attention to the folds and patterns of the fabric.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figure and clothing.

  7. step 07

    Refine the details of the background, including the architecture and foliage.

  8. step 08

    Add final touches, such as the rose and the details of the window frame.

color palette

primary · titanium white · burnt umber · cadmium red · ultramarine blue

secondary · yellow ochre · raw sienna · ivory black

Achieve skin tones by mixing titanium white, cadmium red, burnt umber, and a touch of yellow ochre. Create the blue fabric by mixing ultramarine blue and ivory black, highlighting with yellow ochre.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·atmospheric perspective

common pitfalls

  • →Inaccurate proportions in the figure
  • →Muddy skin tones
  • →Overworking the details
  • →Ignoring atmospheric perspective in the background

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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